Performer jest jak karnawałowy miś. Rozmowa z Kacprem Szaleckim
For decades, the urban landscape of Elbląg has been thoroughly saturated with the spirit of the avant-garde. It was here, within the framework of the legendary Biennale of Spatial Forms, that abstract sculptures emerged to permanently define the city
„Piękno, dobro… fake?” Michała Jackowskiego w Centrum Spotkania Kultur w Lublinie
In an era dominated by metamodernist anxieties, dystopian visions, and transhumanist speculative leaps, sculptor Michał Jackowski poses an indispensable question regarding the essential bedrock of human existence. His exhibition,Beauty, Goodness… F
OCAD University Presents Canada’s Pavilion at the 2026 Gwangju Biennale
In an era marked by profound global ruptures and societal recalibrations, the inquiry into the nature of genuine peace assumes an urgency that is both existential and deeply political. OCAD University proudly announces Canada’s Pavilion for the 2026
National Gallery’s Robert Stein Named Executive Director of Amon Carter Museum in Fort Worth
The global museum ecosystem exists in a perpetual, refined dance between classical custodianship and technological vanguard, a dynamic beautifully mirrored in the latest leadership appointment at the pinnacle of American cultural institutions. The Am
After Many Delays, Kanal-Centre Pompidou in Brussels Will Open in November
Modernist architecture has long demonstrated a remarkable capacity for metamorphosis, converting purely functional structures into sanctuaries of aesthetic contemplation and intellectual discourse. Following a decade defined by intricate master plann
Tschabalala Self Unveils Fourth Plinth Sculpture in London
London’s Trafalgar Square has long served as a grand theater of imperial memory, where history is solidified in stern bronze and weathering stone. Yet, amidst these static sentinels, the Fourth Plinth stands as a dynamic sanctuary for contemporary ar